By Brayton Harris
Chester Nimitz used to be an admiral's Admiral, thought of through many to be the best naval chief of the final century. After the assault on Pearl Harbor, Nimitz assembled the forces, chosen the leaders, and - as commander of all U.S. and Allied air, land, and sea forces within the Pacific Ocean - led the cost one island at a time, one conflict at a time, towards victory. an excellent strategist, he astounded contemporaries through attaining army victories opposed to extraordinary odds, outpacing extra flamboyant luminaries like normal Douglas MacArthur and Admiral "Bull" Halsey. And he was once there to simply accept, on behalf of the U.S., the hand over of the japanese aboard the battleship USS Missouri in August 1945. during this first biography in over 3 many years, Brayton Harris makes use of long-overlooked documents and lately declassified records to deliver to lifestyles considered one of America's maximum wartime heroes.
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Additional info for Admiral Nimitz: The Commander of the Pacific Ocean Theater
If Godzilla had been a big ancient dinosaur or some other animal, he would have been killed by just one cannonball. But if he were equal to an atomic bomb, we wouldn't know what to do. " Among the 44 feature films he directed, Honda considered Godzilla his best work. Honda hoped, perhaps naively, that his monster movie could help bring an end to nuclear testing, but Godzilla generated more monster mania than nuclear phobia and its success shaped the rest of his career. After Godzilla, Honda made a variety of melodramas and light comedies, but he was increasingly called upon to work on Toho's growing kaiju cinema; by the mid-1960s, he was exclusively a monster-movie director, the lone exception being Come Marry Me (1966), a romantic comedy-drama starring youth idol Yuzo Kayama.
Given Godzilla's prevailing repute as a campy icon and comic superhero, the original Japanese version of his first film is a revelation even today, when viewed at a distance of more than 40 years. And although hundreds of people contributed to the film's success, from low-echelon gofers to the special-effects crew to producers Tanaka and Mori, the sure guiding hand of director Honda is most evident throughout the picture, conducting something akin to an orchestra of drama and horror storytelling, stark visual style, and ominous sound and music, all of which meshes together and plays out like a grand nightmare.
As the rampage builds to a crescendo, fire engulfs all of Tokyo. An oil refinery is decimated, flames curl out of windows and lick the sides of buildings, and long shots of the miniature city — which were filmed outdoors on the Toho lot because the specialeffects soundstage was not big enough to contain the expansive set — reveal gigantic sheets of fire and smoke rising into the sky in slow motion. The fires rage all the way to the shoreline, illustrated by a nice matte shot of flames rising behind the crowds of people gathered there.
Admiral Nimitz: The Commander of the Pacific Ocean Theater by Brayton Harris